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Play — S. Prokofiev, Visions Fugitives op.22 N.10 Ridicolosamente · luisasplett (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This little piece has an ironic, biting character—playful and slightly mocking—with abrupt breaks and comic thrusts rather than long lyrical lines. The main technical challenges are articulation: Staccato (4.4/5) requires very crisp, released attacks with immediate finger/ wrist recovery to keep notes short without sounding harsh, and Hand Independence (4.4/5) forces you to sustain separate rhythmic lines and accents in each hand despite answering figures, so stabilize the accompanying hand while letting the other project. The piece belongs to Prokofiev’s modern period and is one of the short piano miniatures in a set where he experiments with color, rhythm and concise character studies. I do not give a reference recording because I am not certain of a single widely recognized interpretation for this specific number.