Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This 5. Allegro moderato has a brisk yet contained character, with rhythmic drive punctuated by sharp accents and staccato responses that call for precise articulation rather than showy virtuosity. Among the technical challenges, Nuances (2.5/5) stands out — you will need to manage subtle dynamic shaping to bring out secondary lines — and Passages rapides (2.5/5) — the short fast figures require supple fingers and economical motion to maintain clarity. The piece is for solo piano and its exact place in the composer's output is not specified here, though it clearly belongs to the set of characterful concert pieces. I do not give any recording recommendations because I cannot be certain of a widely recognized reference for this specific movement.