Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This G major sonata conveys a bright, playful character, built from short motifs that call for crisp articulation and a dance-like lightness rather than long, flowing legato lines. You will need to focus on Style classique (3.8/5), which here means clear phrasing, separated attacks and careful dynamic control to bring out the motifs; and Connaissance des formes (3.8/5), since you must make repeats and transitions audible so the binary sections and cadences remain clear. The piece belongs to Haydn’s body of keyboard sonatas and exemplifies his preference for formal clarity and rhythmic wit within the classical style. I am not giving a reference recording because I am not 100% certain of a specific, widely recognized interpretation for this particular sonata.