Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This short piece feels slightly detached and ironic, carried by repeated figures and a rhythmic clarity that give the impression of a distant, spun-out lullaby. You will mainly face challenges in Phrasing (2.5/5) and Dynamics (Nuances) (2.5/5): phrasing here requires shaping very short melodic lines as breaths—subtle inflections and slight anticipations—while dynamics demand fine control of finger pressure and release to render tiny dynamic shifts without breaking the line; Legato (2.5/5) is also necessary to keep clear connections between often spaced notes through weight transfers and sustained finger support. The period is listed as unknown and it is a solo piano piece that belongs to a repertoire of brief, enigmatic pieces; I do not provide a recommended recording because I cannot cite a reliably identified reference.