Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This E-flat major sonata has a poised, amiable character typical of the Classical style, with singing themes that switch between light dialogue and more rhythmic episodes where the right hand carries the tune while the left supports with regular leaps and arpeggios. Knowledge of form (3.6/5) will be crucial: you must identify exposition, development and recapitulation sections to shape phrases logically and handle repeats; harmonic analysis (3.6/5) requires anticipating modulations and harmonic progressions to adapt accompaniment, voicing and fingering at cadences. It belongs to the Classical repertoire and appears in the Köchel catalogue as K.282, forming part of Mozart’s piano sonata output that balances formal clarity with melodic invention. I do not provide a recommended recording here out of caution, since I am not fully certain of a single definitive interpretation for this specific work.