Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This F major Sonata feels bright yet pointed, alternating singing phrases with lively figurations that require forward momentum while keeping articulations crisp at passage boundaries. You will specifically work on Connaissance des formes (3.6/5): here you must identify exposition, development and recapitulation to shape breaths and repeats, which implies preparatory arm movement and small articulation adjustments at formal transition points. The relative weakness in Phrasé (2.5/5) calls for focused work on melodic line and voicing through finger legato and hand balance, shaping phrases without overdoing them. In Mozart's output, this sonata is part of his piano sonatas within the Classical period and exemplifies the formal balance and clarity typical of his keyboard writing.