Official level, taken from the exam syllabus.
Other syllabi : Trinity_London Grade 4
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This piece suggests a quick, playful restlessness, like small light beings darting across the keyboard, with sudden accents that feel mischievous rather than lyrical. Technically, the Nuances (2.5/5) here require fine dynamic control to bring out accents without blurring the voices, which means slightly softened attacks and a rapid release after each impulse; the Staccato (2.5/5) requires short detached attacks produced by a precise finger motion aided by a small wrist action to avoid pinning the note. It is listed as No. 4 of Op. 12 for solo piano, placing the piece among the composer's short piano pieces rather than his large-scale works; the period is given as unknown in the provided information.