Violin and piano · 2 performers
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
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The Suite Florentine unfolds with an elegant, singing character, often like a series of stylized dances where phrases answer one another with poise rather than dramatic outbursts. You will be challenged mainly by Connaissance des formes (4.1/5) — here you must anticipate repeats, balance attacks and cadences so each section keeps its proportion and sense — and by Ornements baroque (4.1/5) together with Style baroque (4.1/5), which require precise ornaments and clear articulation: small mordents, appoggiaturas and muted touches need controlled right-hand bowing on the violin (fingerings and bow rebounds) and rhythmic anticipation in the piano part. The piece belongs to Widor's late-Romantic chamber output, where suite-like form and polyphonic writing combine with a lyrical, decorative voice.