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Play — Valse romantique, audio et partition · thenameisgsarci (the player loads on click)
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Play — Romantic Waltz, M59a · Karol Szymanowski, Anu Vehvilainen (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Romantic Waltz is playful yet wistful, alternating light accents with passages where the melody floats like a singing reminiscence; the motion should feel continuous without becoming mechanical. You will face specific challenges with Tempo rubato (3.9/5): you must adjust phrase lengths subtly without breaking the waltz pulse, controlling the relaxation and recovery of the wrist and forearm gesture; and with Phrasing (3.9/5): you need to shape singing lines and mark musical breaths with precise fingering and dynamic control to bring out the melody. The piece belongs to Szymanowski's Romantic-period output for solo piano, placed among his salon/dance pieces rather than his larger orchestral works. I do not provide a recording recommendation here because I am not 100% certain of a single widely recognized reference for this exact piece.