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Play — 2 Impromptus op. 12, partition défilante · Score Videos (the player loads on click)
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Play — Travail de l'Impromptu op. 12 no 2 · Josh Wright (the player loads on click)
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Play — 2 Impromptus, Op. 12: No. 2 in B-Flat Minor. Andante cantabile · Alexander Scriabin, Clément Lefebvre (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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These 2 Impromptus, op.12, convey a dreamy and at times feverish mood where accents emerge from delicate voicings rather than from a steady march. You will need to focus on Tempo rubato (3.1/5) — here that means shaping phrases with slight, controlled time bends, brief delays and accelerations requiring a relaxed wrist — and on Sustain pedal (3.1/5), which calls for precise pedal changes to preserve harmonic clarity without blurring the resonance. These pieces belong to Scriabin's Romantic period and are among his early piano works, still strongly rooted in the Romantic idiom.