Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This G minor sonata feels bucolic and slightly rustic, with bouncing figures and call-and-response gestures that create a lively conversational motion rather than slow lyricism. Technically you will need to focus on Analyse harmonique (3.6/5) to map the quick chord changes and shape phrases by balancing the left-hand bass and voicing, and on Ornements baroque (3.1/5) to deliver short trills and embellishments cleanly with controlled finger articulation. The piece belongs to the Baroque period and is one of Scarlatti's many short keyboard sonatas that concentrate idiomatic keyboard effects and compact musical ideas.