The grade scale stops at 8; this work belongs to concert or diploma repertoire.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This C minor sonata feels driven and tense, with abrupt leaps and chromatic color that call for crisp articulation rather than a singing legato. Connaissance des formes (3.6/5): you must map the short episodes and repeats to shape phrasing and prepare cadences; Ornements baroque (3.1/5): ornaments require clean, quick execution, with fingers prepared to launch trills and mordents without breaking the line. From the Baroque keyboard repertoire, it belongs to Scarlatti's large body of sonatas and showcases his frequent use of dramatic harmonic color within compact formal units.