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Play — J.S. Bach - 'Was Gott tut, das is wohlgetan' (BWV 1116) · Gerrit Veldman (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This chorale gives a collected, resolute simplicity, with repetitive lines that call for a sober execution focused on clear voicing; the mood is meditative rather than dramatic. Technically, pay special attention to Ornaments baroque (3.1/5) — here you must execute short, even embellishments with controlled attacks and precise releases — and Bass clef reading (Lecture clé de fa) (3.1/5), since the left hand requires fluent reading of bass lines to keep the voices balanced and the pulse steady. The piece belongs to the Baroque period and fits within Bach's chorale repertoire, reflecting his approach to hymn harmonization. I do not give a reference performance because I am not sufficiently certain about a specific recording of this work.