Violin and piano · 2 performers
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
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A useful leap with guided practice.
This Violin Sonata unfolds a tense, incisive atmosphere, built from fragmented phrases that alternate lyrical breath with abrupt gestures rather than a smooth uninterrupted melody. Technically, you will need to work on Vibrato (3.6/5) to achieve fine expressive modulation on sustained notes and on Legato bowing (3.6/5) to keep lines connected through sudden changes of direction and dynamics — this requires precise control of vibrato speed and width and continuous management of bow distribution and contact. The piece belongs to the chamber repertoire of contemporary composer Wolfgang Rihm, taking its place among his sonatas and other works for small ensembles.