Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This "Bank Holiday" for piano conveys a lightly nostalgic cheerfulness and a sense of urban motion: delicate arpeggios and off‑beat accents create the impression of a holiday stroll, alternately playful and wistful. You will need to focus on Polyrhythm 2 against 3 (3.1/5) — here that means keeping a steady binary eighth‑note pulse in one hand while the other articulates ternary groupings, requiring finger independence and an internal steady beat — and Impressionistic style (3.1/5), which calls for flexible attacks, subtle dynamic shading and careful pedaling to color chords without blurring the texture. In terms of context, the piece belongs to the modern period and sits among Moeran's piano works that blend British idioms with more contemporary harmonic color. I do not list a recommended recording because I am not certain of a single widely recognized interpretation for this specific piece.