Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Valsa de esquina projects a light but veined atmosphere, where urban dance is colored by shadows and piano resonance rather than straightforward popular charm. You will need above all to handle the polyrhythm 2 against 3 (3.1/5): the concrete gesture is to lock a steady duple pulse in one hand while fitting a ternary pattern into the other, requiring clear hand independence and an internalized steady tempo; the impressionistic style (3.1/5) also demands careful control of touch and pedal to shape colors and harmonic clouds without blurring the melodic line. Listed in the composer's modern period, it belongs to his piano pieces that blend popular dance forms with modern harmonic language.