Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Andante in D offers an intimate, caressing mood where the melody unfolds in singing, suspended lines rather than through broad dramatic contrasts. You will face in particular handling of Tempo rubato (3.1/5), which requires small, measured flexibilities of pulse to allow the line to breathe without losing the sense of tempo, and the Sustain Pedal (3.1/5), which demands precise pedal changes and releases to keep harmonic clarity while connecting melodic syllables. It belongs to the Romantic piano repertoire, typical of pieces that translate vocal lyricism to the keyboard and that are often performed in a salon or intimate concert setting. I am omitting specific recording recommendations because I do not have a single, certain reference for this particular piece.