The grade scale stops at 8; this work belongs to concert or diploma repertoire.
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This Marche and Cavatine combines a ceremonial march character with broad, operatic lyricism, shifting between crisp martial figures and expansive singing lines that require making the melody project through a dense accompaniment. You will specifically need to work on Tempo rubato (3.1/5) — here that means allowing small, measured elasticities in the melodic line without losing forward momentum — and on the Sustain Pedal (3.1/5), which calls for precise lifting and renewing to keep chordal textures clear while connecting the cantabile. The piece is a Romantic-period piano transcription/paraphrase of themes from the opera Lucia di Lammermoor, typical of Liszt’s operatic arrangements for solo piano.