The grade scale stops at 8; this work belongs to concert or diploma repertoire.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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These Three Funeral Odes by Liszt are cast in a dark, ceremonial mood, with long held spans and sudden accents that evoke a funeral procession more than a private reverie. Technically, the piece calls for nuanced use of Tempo rubato (3.1/5) — meaning measured shifts in timing to shape phrases without breaking continuity — and careful control of the Sustain pedal (3.1/5) to blend harmonics while keeping inner voices clear in the low registers. The work belongs to Liszt's Romantic period and reflects his interest in dramatic, contemplative pieces within his solo piano output.